![]() ![]() It all flows through adolescent Kendrick. That’s clear enough: the smog, the gangs, the fried food, the Riots. City is that the outside world has the power to corrupt. “Bumping Jeezy first album, looking distracted.” The premise of Good Kid, M.A.A.D. Everyone in the Toyota is ready to grab South Central Los Angeles by the throat and shake it until it’s dead everyone in the Toyota is taking “Trap or Die” to heart.Įveryone, that is, except for Kendrick. The handful of hours between school letting out and your parents getting home stretched and dilated into a sort of parallel existence-you were braver, wiser, more sure of yourself than you ever could be in real life. And there’s something about the Jeezy line. It’s the sort of aimless driving you do when you’re 15: long, laconic loops through your own neighborhood, maybe crossing over into foreign territory to look for sex or trouble or cheaper tacos. City, Kendrick Lamar puts you beside him in the backseat of a white Toyota sedan, quarter-tank of gas, one pistol, some orange soda. On “The Art of Peer Pressure,” the fourth song from his masterpiece, Good Kid, M.A.A.D. Producers: Dawaun Parker, DJ Khalil, DJ Dahi, Hit-Boy, Jack Splash, Just Blaze, Like, Pharrell Williams, Rahki, Sounwave, Scoop DeVille, Skhye Hutch, T-Minus, Tabu, THC, Terrace Martin, Tha Biznessįeatures: Jay Rock, Drake, MC Eiht, Anna Wise, Dr. Halfpintsalvage in United States 5 out of 5 stars (501) € 41.84
0 Comments
Leave a Reply. |